Photographs of post-club Britain in 1998. 

“What makes the series stand out is its contrast between exhaustion and energy, intimacy and anonymity, all unfolding in public spaces […]

Haller’s work avoids glamorising nightlife, instead focusing on the raw aftermath — smudged makeup, missed trains, and quiet reflections after long nights out. In doing so, Not Going Home became a defining visual record of Britain’s late-90s club culture, capturing a generation navigating freedom, identity and connection in the hours most people never see.” by @pastpreserved